Jannik Sinner, of Italy, executing a picture-perfect backhand volley against Holger Rune, of Denmark, at the 2022 ATP Sofia Open tournament in Sofia, Bulgaria
One of the most exciting aspects of playing tournaments—at any level—is checking out the just-released draw. Similarly, one of the most challenging aspects of writing about Grand Slam tournaments is predicting the winners and contenders. And . . . the dark horses.
“A lot of players don’t like to serve first. I don’t know why,” commented respected Tennis Channel analyst Paul Annacone, who ranked No. 12 in singles in 1986 and later coached superstars Pete Sampras and Roger Federer, during the recent Canadian Open in Montreal.
Iga Swiatek provided one of the most thought-provoking quotes during the Wimbledon fortnight. After 32-year-old Alize Cornet, a versatile, clever French veteran ranked No. 37, ended Iga's terrific 37-match winning streak, by upsetting error-plagued Iga 6-4, 6-2, the 21-year-old Pole said, “Usually when I’m coming back, I have some kind of a plan, and I know what to change. Here I didn’t know. I was confused. On grass courts, everything happens so quickly. I didn’t tank it, but I just didn’t know what to do.”
In her May 8 FiendatCourt.com, Teresa Merklin tackled a thought-provoking topic that was encapsulated in the shirt message, “I’m just too creative to be limited by Smart Shot Selection.”
What exactly is the connection between creativity and smart shot selection?
This burning question is the title of a lengthy essay I just wrote. For this blog, I would like to start by quoting a great ancient statesman and general and a modern athlete and humanitarian. Both believed citizens have a moral responsibility to tackle political issues. Pericles said, “Just because you don’t take an interest in politics doesn’t mean politics won’t take an interest in you.”
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